Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Jean-Antoine Watteau
L'Indifferent(The Casual Lover) (mk05)

ID: 20668

Jean-Antoine Watteau L'Indifferent(The Casual Lover) (mk05)
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Jean-Antoine Watteau L'Indifferent(The Casual Lover) (mk05)


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Jean-Antoine Watteau

1684-1721 Antoine Watteau Art Locations He is best known for his invention of a new genre, the fete galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under FETE CHAMPETRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume, thus blurring references to both time and place. Watteau work was widely collected during his lifetime and influenced a number of other painters in the decades following his death, especially in France and England. His drawings were particularly admired. Documented facts about Watteau life are notoriously few, though several friends wrote about him after his death (see Champion). Of over two hundred paintings generally accepted as his work   Related Paintings of Jean-Antoine Watteau :. | Fetes Venitiennes | Polish Woman | Gilles | Fetes Venetiennes | Le Plaisir pastoral |
Related Artists:
ELIAERTS, Jan Frans
Flemish painter (b. 1761, Antwerpen, d. 1848, Antwerpen)
HALS, Frans
Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).
Constantin Hansen
Danish 1804-1880 Constantin Hansen Galleries Danish painter. In 1816 he entered the Kongelige Akademi for de Sk?nne Kunster, Copenhagen, intending to study architecture; however he later became attracted to painting and worked under C. W. Eckersberg from 1828 to 1833. Around the middle of the 1820s he started developing an individual style of portraiture, which had matured by 1830. He often used his sisters and friends as models; using simple costumes, poses and compositions, he managed to endow his pictures with the intimacy and warmth that mark the Danish Golden Age. The Artist's Sisters Signe and Henriette Reading a Book (1826; Copenhagen, Stat. Mus. Kst) is a fine example of his combination of natural observation with Neo-classical idealization. Under Eckersberg, who encouraged both, he strengthened his natural flair for painting serene architectural views of Copenhagen.






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